Canada
Palestine Support Network - Winnipeg
Press
Conference Statement Launching the Canada Palestine Film Festival
The following statement
was presented to the media by CanPalNet members Paul Burrows and
Maeghan Dewar, Thursday, September 23, 2004
Good
afternoon. On behalf of the Canada Palestine Support Network
which is acting as curator, we welcome you here today to launch
the Canada Palestine Film Festival: Images of Occupation & Resistance
in Israel-Palestine. This festival is the first of its kind
in Winnipeg. And it is a rare opportunity for Winnipeggers
to see films by both Palestinian and Israeli film-makers which show
another side to the conflict – the human consequences of an
illegal, completely immoral military occupation, as well as ongoing
colonization, dispossession, apartheid, and ethnic cleansing.
We
are fortunate to be able to screen such a collection of films at
our local Cinematheque. Many of these films have been shown
at other festivals, such as Cannes and the Human Rights Watch international
film festival, as well as in other cities, from Jerusalem and Tel
Aviv, to Chicago and New York. We are fortunate because such
films rarely make it to Canada, let alone Winnipeg. In no
case has the screening of these films in other cities promoted “hatred”
or led to violence. What they have fostered is much-needed
reflection and debate about one of the world's most protracted conflicts.
Taken
as a whole, we feel that the 12 films in this festival correct an
existing imbalance in the mainstream media – an imbalance
which gives disproportionate weight to Israeli government spokespersons
and supporters, who view any and all criticism of the Israeli State,
and any criticism of its actual behavior, as “hateful,” or an “incitement
to violence,” or as an example of “anti-Semitism.” In correcting
this imbalance, the films do not in any way dismiss or excuse the
tragic loss of civilian life caused by suicide bombing. If
there is anything that promotes violence, it is granting Israel
– or any other State – an a priori and blanket
immunity to criticism when their military engages in actions documented
and condemned by the United Nations, the international community,
and even Israeli journalists and academics; when the military engages
in torture or collective punishment, when it bombs residential neighborhoods,
when it carries out extra-judicial assassinations, when it shoots
and kills journalists such as James Miller, UN officials like Iain
Hook, non-violent protesters like Rachel Corrie and Tom Hurndall,
Palestinian students on their way to class such as Kamleh al-Shuli,
or when it buries pregnant mothers like Nuha Sweidan in their own
homes in order to make room for a monstrous wall that has been condemned
by the world community, not to mention the International Court of
Justice in the Hague, and the UN General Assembly.
Like
most people, we feel that human rights is a matter of the public
domain. It is most certainly NOT “owned” by any single ethnic
or religious community, nor is it restricted to the Israeli-Palestinian
conflict. Indeed, it is going on right here at home in Canada,
where there is an ongoing colonial process and genocide, which shames
every one of us as citizens of this country. It is our very
humanity that compels us to speak out about human rights violations
and war crimes. We feel strongly that the films featured
in the Canada Palestine Film Festival are rooted in a long and important
humanitarian tradition.
We
also feel that the content of the films speaks for itself, but would
like to say a few words of introduction before opening the floor
up to questions. First, these films allow us to hear dissident
Israeli Jewish voices which are rarely given attention in North
America, voices such as Nurit Peled in the film “The Bombing,” an
Israeli mother who lost her own daughter to a suicide attack in
1997, and who now speaks out strongly against Israel's military
occupation. We ask you, “How does a mother grappling with
such loss promote ‘hatred' or ‘violence'?”
Second,
the festival allows Palestinian film-makers to demonstrate not only
their own artistic and aesthetic creativity, but also creates a
forum for their unique and passionate array of perspectives on the
tragic fate of their people and culture. Palestinians are
no less entitled to cultural, artistic, and political expression
than any other people on the planet.
Third,
the festival allows Winnipeggers a rare opportunity to see images
of daily life in the Occupied Palestinian Territories. Many
of the members of the Canada Palestine Support Network have had
the privilege to visit both Israel and the Occupied Territories,
to meet ordinary people from both societies who seek a meaningful
peace, and to see for themselves a small glimpse of what day-to-day
life is like for the majority of Palestinians. Now Winnipeggers
and others across Canada can hear ordinary Palestinians –
students, farmers, doctors, artists, and many others – speak
for themselves, and to see first-hand the humanity of a people falsely,
and viciously stereotyped and equated with “terrorism.” We
can hear the voices of university students and faculty, unable to
get to school due to military checkpoints in the film “A Caged Bird's
Song.” We can follow the day-to-day activities of teenage
girls living in refugee camps in Lebanon and the West Bank in the
film “Frontiers of Dreams and Fears.” And we can see in graphic
detail the brutality with which the Israeli military deals with
non-violent protest in films such as “The Killing Zone” and “Jeremy
Hardy vs. the Israeli Army.” We feel that such perspectives
MUST be heard before any one can claim to understand the nature
of Israel's military occupation.
In
conclusion, we wanted to note that the festival inadvertently coincides
with Yom Kippur, thus preventing many from the Jewish community,
including many individuals who CanPalNet has worked with over the
years, from attending the first two days. Nobody is more
disappointed by this oversight than us, and we would have re-scheduled
the dates of the festival had it been brought to our attention earlier.
The admission price is also a barrier to people on low income.
We had hoped that with greater fund-raising and donations
we could eliminate this barrier by offering subsidized or complimentary
tickets to those who cannot afford them. We apologize to
these two communities, for our intention has always been
to eliminate significant barriers to participation, not contribute
to them. The festival was originally planned to coincide
with the anniversary of the second intifada (“uprising”),
as well as to fit Cinematheque's own schedule and box office norms.
We hope to compensate for these barriers by arranging a separate
screening for those who cannot attend for any reason between September
24th and 26th. Two films will be re-shown at Mondragón Bookstore
& Coffee House at 91 Albert Street on this coming Tuesday evening
at 7pm, free of charge, to allow anyone unable to attend to participate.
This extra screening will be followed by a moderated discussion
called “Difficult Dialogues: Seeing and Speaking about Occupation
& Resistance,” which will give people of all perspectives a
chance to raise concerns and express feelings about the content
of the film festival.
It
is our firm belief that meaningful peace in Israel-Palestine will
only come with meaningful justice, and justice requires meaningful
self-determination for both Israelis and Palestinians. We
feel that the films we have selected for screening at Cinematheque
will help promote a dialogue necessary for understanding the complex
history and context of this terrible conflict. We understand
that others may not share our political perspective, but there is
no reason why this dialogue cannot be civil and respectful.
The Manitoba Film Classification Board has approved every one of
these 12 films as suitable viewing for anyone over 14 years of age.
Any insinuation that the films are “hateful” or might promote
violence is both uninformed and inflammatory. We encourage
Winnipeggers to come out and judge the content for themselves.
And we feel that only by broadening the parameters of discussion
and debate, and giving people a chance to hear the silenced and
marginal voices in both Palestinian and Israeli society, can there
ever be a truly just resolution to the Israel-Palestine conflict.
Thank you for joining us here today.
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